Abstract
The paper aims at describing the current situation of the Cultural and Creative Industries (CCI) in Sardinia with respect to the newest technological trends.
The availability on the market of several innovations (such as Internet of Things, 3D graphics, advanced data mining systems, crowdfunding platforms, cloud and file sharing applications, Augmented Reality applications, digital publications etc) has enormously contributed to the development of innovative businesses and practical solutions for the operators of several sectors. However, while the CCI sector seems to be among the ones most affected by the digital revolution, there are still some relevant challenges and bottlenecks that are currently untackled.
Riferimenti bibliografici
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DCMS (1998) Creative Industries Mapping Document 1998. M. S. Department for Digital Culture (Ed.). London: UK Government.
DCMS (2001). Creative Industries Mapping Document 2001. M. S.
Department for Digital Culture (Ed.). London: UK Government.
ERVET (2012). Rapporto Cultura e Creatività. Bologna: Regione Emilia Romagna.
Galloway, S., & Dunlop, S. (2007). A Critique of Definitions of the Cultural and Creative Industries in Public Policy. International Journal of Cultural Policy, 13(1), 17-31, doi:10.1080/10286630701201657.
Hallencreutz D., Lunclequist, P., Malmberg A., (2003) Local Embeddedness and International Competitiveness - The Case of the Swedish Music Cluster in The Institutions of Local Development edited by Sforzi F. and Amin A., Routledge, London
Hansmann, H. (1981). Non-profit enterprise in the performing arts. The Bell journal of economics, 12(2), 341–361.
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Kong, L., 2014. From cultural industries to creative industries and back? Towards clarifying theory and rethinking policy. Inter-Asia Cult. Stud. 15 (4), 593–607.
Kaiser, H. (1974). An index of factor simplicity. Psychometrika, 39, 31-36.
KEA (2009). The impact of culture on creativity (D. E. a. Culture, Trans.). Brussels: European Commission.
Luksetich, W., & Lange, M. (1995). A simultaneous model of non-profit symphony orchestra behavior. Journal of cultural economics, 19(1), 49–68.
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Müller, K., Rammer, C., Trüby, J., 2009. The role of creative industries in industrial innovation. Innovation 11 (2), 148–168.
Netzer, D. (2003). Non-profit organisations. In R. Towse (Ed.), A handbook of cultural economics (pp. 331-341). Cheltenham: Elgar.
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Rogers, E. M. (2003). Diffusion of innovations. New York: Free Press.
Rose-Ackerman, S. (1996). Altruism, non-profits and economic theory. Journal of economic literature, 34(2), 701-728.
Scott, A. J. (2001) Capitalism, cities and the production of symbolic forms. Transactions of the Institute of British Geographers, 26, 11-23
Scott, A.J. (2010) Cultural Economy and the creative field of the city.Geografiska Annaler: Series B Human geography, 92(2), 115-130
Symbola, F., & Unioncamere (2016). Io Sono Cultura. Quaderni di Symbola. Roma: Unioncamere.
TERA Consultants, Forum D'Avignon, (2014) The economic contribution of the creative industries to EU GDP and employment -Evolution 2008-2011, Paris.
Throsby, D. (2001) Economics and Culture. Cambridge University Press http://doi.org/10.1080/13547860306286
Throsby, D. (2008) Modelling the cultural industries, International journal of cultural policy, 14(3), 217-232 http://doi.org/10.1080/10286630802281772
Throsby, D. (2008) The concentric circles model of the cultural industries. Cultural Trends, 17(3), 147-164, http://doi.org/10.1080/09548960802361951.
Throsby, D., & Withers, G. (1979). The economics of the performing arts. London: Edward Arnold.
Tommaso, S., Antonio, M.P., Vito, A., 2017. Teams and lead creators in cultural and creative industries: evidence from the Italian haute cuisine. J. Knowl. Manag. 21 (3), 607–622.
UNCTAD (2008). The Creative Economy. UNESCO.
Weisbrod, B. (1977). The voluntary non-profit sector: an economic analysis. Lexington: Lexington Books.
Zhou J., Li J., Jiao H., Qui H., and Liu Z., (2018, in press) Technovation https://doi.org/10.1016/j.technovation.2018.22.002
Avilés Ochoa, E., Marbella Canizales Ramírez, P., (2018) Cultural Industries and spatial economic growth a model for the emergence of the creative cluster in the architecture of Toronto, City, Culture and Society, 14(2018) 47-55
Asheim B., Coenen L., Vang J., (2007) Face-To-Face, buzz and knowledge bases: socio-spatial implications for learning, innnovation and innovation policy, Environ. Plan. C. Gov Policy 25(5), 655-670
Balata, G. (2018), Innovazione e crescita nell’industria creativa e culturale: il ruolo delle start-up per il trasferimento tecnologico,Phd Thesis, Università degli Studi di Sassari, retrieved from http://eprints.uniss.it/11858/ Available from Uniss Eprints n. 11858
Bakhshi, H., & Throsby, D. (2012). New technologies in cultural institutions: theory, evidence and policy implications. International Journal of Cultural Policy, 18(2), 205-222, doi:10.1080/10286632.2011.587878.
Bellini, F. (2015) The socio-economic impact of technological innovation: models and analysis of the digital technologies for cultural and creative industries, Phd Thesis, Università di Roma La Sapienza, retrieved from https://iris.uniroma1.it/handle/11573/827726#.XFlSf1VKiUk
Caves, R. E. (2002). Creative Industries, Contracts between Art and Commerce. Harvard: Harvard University Press.
Cerny, C. A., & Kaiser, H.F. (1977). A study of a measure of sampling adequacy for factor-analytic correlation matrices. Multivariate Behavioral Research, 12(1), 43-47.
Chapain, C., Cooke, P., De Propris, L., MacNeill, L., Mateos-Garcia, J., 2010. Creative Clusters and Innovation: Putting Creativity on the Map. National Endowment of Science, Technology and the Arts, London.
Cooke, P., Propris, L.D., 2011. A policy agenda for EU smart growth: the role of creative and cultural industries. Policy Stud. 32 (4), 365–375.
Cronbach, L. J. (1951). Coefficient alpha and the internal structure of tests. Psychometrika, 16(3), 297-334.
DCMS (1998) Creative Industries Mapping Document 1998. M. S. Department for Digital Culture (Ed.). London: UK Government.
DCMS (2001). Creative Industries Mapping Document 2001. M. S.
Department for Digital Culture (Ed.). London: UK Government.
ERVET (2012). Rapporto Cultura e Creatività. Bologna: Regione Emilia Romagna.
Galloway, S., & Dunlop, S. (2007). A Critique of Definitions of the Cultural and Creative Industries in Public Policy. International Journal of Cultural Policy, 13(1), 17-31, doi:10.1080/10286630701201657.
Hallencreutz D., Lunclequist, P., Malmberg A., (2003) Local Embeddedness and International Competitiveness - The Case of the Swedish Music Cluster in The Institutions of Local Development edited by Sforzi F. and Amin A., Routledge, London
Hansmann, H. (1981). Non-profit enterprise in the performing arts. The Bell journal of economics, 12(2), 341–361.
Hansmann, H. (1987). Economic theories of non-profit organization. In W.
W. Powell (Ed.), The non-profit sector, a research handbook (pp. 27–42). New Haven: Yale University Press.
Kong, L., 2014. From cultural industries to creative industries and back? Towards clarifying theory and rethinking policy. Inter-Asia Cult. Stud. 15 (4), 593–607.
Kaiser, H. (1974). An index of factor simplicity. Psychometrika, 39, 31-36.
KEA (2009). The impact of culture on creativity (D. E. a. Culture, Trans.). Brussels: European Commission.
Luksetich, W., & Lange, M. (1995). A simultaneous model of non-profit symphony orchestra behavior. Journal of cultural economics, 19(1), 49–68.
Martin, R., Trippl, M., (2014) System failures, Knowledge bases and regional innovation policies, disP-Plan Rev. 50(1)24-32
Messeni Petruzzelli, A., Savino, T., 2015. Reinterpreting tradition to innovate: the case of Italian haute cuisine. Ind. Innov. 22 (8), 677–702.
Müller, K., Rammer, C., Trüby, J., 2009. The role of creative industries in industrial innovation. Innovation 11 (2), 148–168.
Netzer, D. (2003). Non-profit organisations. In R. Towse (Ed.), A handbook of cultural economics (pp. 331-341). Cheltenham: Elgar.
Oakley, K., 2009. The disappearing arts: creativity and innovation after the creative industries. Int. J. Cult. Policy 15 (4), 403–413
Report on a coherent EU policy for cultural and creative industries. EU
Parliament Committee on Industry, Strasbourg
Rogers, E. M. (2003). Diffusion of innovations. New York: Free Press.
Rose-Ackerman, S. (1996). Altruism, non-profits and economic theory. Journal of economic literature, 34(2), 701-728.
Scott, A. J. (2001) Capitalism, cities and the production of symbolic forms. Transactions of the Institute of British Geographers, 26, 11-23
Scott, A.J. (2010) Cultural Economy and the creative field of the city.Geografiska Annaler: Series B Human geography, 92(2), 115-130
Symbola, F., & Unioncamere (2016). Io Sono Cultura. Quaderni di Symbola. Roma: Unioncamere.
TERA Consultants, Forum D'Avignon, (2014) The economic contribution of the creative industries to EU GDP and employment -Evolution 2008-2011, Paris.
Throsby, D. (2001) Economics and Culture. Cambridge University Press http://doi.org/10.1080/13547860306286
Throsby, D. (2008) Modelling the cultural industries, International journal of cultural policy, 14(3), 217-232 http://doi.org/10.1080/10286630802281772
Throsby, D. (2008) The concentric circles model of the cultural industries. Cultural Trends, 17(3), 147-164, http://doi.org/10.1080/09548960802361951.
Throsby, D., & Withers, G. (1979). The economics of the performing arts. London: Edward Arnold.
Tommaso, S., Antonio, M.P., Vito, A., 2017. Teams and lead creators in cultural and creative industries: evidence from the Italian haute cuisine. J. Knowl. Manag. 21 (3), 607–622.
UNCTAD (2008). The Creative Economy. UNESCO.
Weisbrod, B. (1977). The voluntary non-profit sector: an economic analysis. Lexington: Lexington Books.
Zhou J., Li J., Jiao H., Qui H., and Liu Z., (2018, in press) Technovation https://doi.org/10.1016/j.technovation.2018.22.002
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