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Abstract
As early as the 1970s, Marxist aesthetic was removed. However, se tut, the most important aesthetic work of Galvano della Volpe, emphasized the cognitive value of art and contributed to overcome Benedetto Croce’s idealistic hegemony in Italian culture. This work opens up new horizons for aesthetic research, enhancing the potential of historical materialism in the interpretation of art. Della Volpe shows interest in structural linguistics, text theory, human sciences. He is attentive not only to sociological aspects, but also to the formal language of art.
Aesthetic; Marxism; Language; Semiotics; Art.The work is published under a Creative Commons License - Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): this allows others to share the work acknowledging the intellectual authorship and the first publication in this journal.
Authors keep the rights to their work and give the journal the right of first publication.